Football fans and theatregoers may not have always felt like the obvious overlap in a Venn diagram, but the past decade has been a banner one for the beautiful game on stage. We have had a farce about the 2018 World Cup bid (Three Lions), a Royal Court drama about homophobia (The Pass), a Pulitzer Prize-nominated exploration of teenage girlhood (The Wolves) and even a 16th-century folk horror (The Bounds). Plus Dear England, the still-touring smash hit that tells the story of Gareth Southgate’s tenure as manager of the national men’s team.
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out in the laboratory and at Plant Leipzig at the end of last year.